1/12/2008

凤凰主持之印象


最近看凤凰卫视颇有感触,就简单写写对几位主持人的一些印象,做为我2008年的第一篇吧。

曾子墨,我最喜欢的一位凤凰的主持人。从Dartmouth毕业,在Morgan Stanley做投资分析,这样的背景让人羡慕。刚加入凤凰时主持《财经点对点》,这恰好给了子墨一个巨大的发挥才能的空间。不过,第一次认识子墨是看了她在朝鲜采访的三集的专题片,立刻被她干练、冷静、理性的风格吸引。现在子墨的节目更加关心社会民生的话题,《社会能见度》把转型期的中国的方方面面展现出来,上到社会名流,下到平民百姓。她的节目关注民生反思社会,主持风格思维活跃,观点碰撞激烈,而抛开严肃的话题,更能感觉到她骨子里一种罕有的灵性。尤其是子墨的个性我很欣赏,热爱旅游,不断尝试新的东西。不久前,子墨出了一本新书《墨迹》,没有看过,听说写的很有才华,可惜为了让书出版,里面很多敏感内容不得不删去,实在是遗憾。另外子墨准备把所有稿费一分不留,全部捐给希望工程,我想,这是符合子墨性格的。

窦文涛,非常喜欢他的节目,很平易的风格,而又很吸引人。真的十分惊叹于他在《文涛拍案》中能把杀人放火这样的东西讲的和评书一样娓娓道来,还有《锵锵三人行》中轻松智慧的调侃却也蕴藏这很多思考。其实,窦文涛是个极其聪明的人,能够连续流畅的说上一个小时不是每个主持人都能做到。仔细品味他的每一句话往往能感受到背后的内容,他的睿智和幽默就是以这种含蓄的方式流露出来,一点都不张扬。那种摇头晃脑的样子实在是很像自家的兄弟一样亲切。

许戈辉,一眼看上去就是充满了知性的美丽。去年的《戈辉梦工厂》很有创意,采访一些网络名人,很有时代感,不知道今年为什么停了。《名人面对面》和以前的《鲁豫有约》有点像,不过主持人的风格却不同,鲁豫是亲切舒缓,戈辉是专注细腻。而《名人面对面》也更具有国际视角,各国的艺术家、学者、演艺明星、体育明星都可以在戈辉的引导和启发下把自己独特的经历展现出来。戈辉的智慧和优雅把她对人生、爱情、艺术的理解带给我们,从这一点上,她又是追求完美的。

陈鲁豫,看鲁豫有约也有不少年了,能感受到鲁豫的一点一点的变化。改版后的鲁豫有约增加了和观众的互动,访谈的对象从名人变为普通人,这虽然缺少了以前节目里对人物更深层次的挖掘,但是却使整个节目更加的贴近普通人的生活了。在新的舞台上,鲁豫有了更大的发挥空间,不仅仅是亲切温情的形象,更能看到她女性的一种幽默,能有这种特质的女人给人很大气的感觉,其实这很可贵。很多人都说,鲁豫不是特别漂亮的那种,但是却很有女人味,不过,我更喜欢她的那种清新的感觉,我觉得跟这样的人聊天一定是一件非常愉快的事情。(当年年少无知,后来再看鲁豫有约,越看越傻。。。 2013/11/14)

胡一虎,很多人认识他应该是在《一胡一席谈》,当然我也是。我觉得这种节目实在是很特别,场上的观点往往针锋相对,争论激烈,但是做为主持人为了保持中立,即使有很多话想说,也不能表达自己的观点,这一点很憋得慌。不过,胡一虎的能力更多的体现在他对局面的掌控上,能把争论的各方有效的控制住,按压住上升的气氛,让场面有条不紊的往前发展不是一件容易的事。反应敏捷,思路清晰,果断干练是胡一虎给我的感觉。

吴小莉恐怕是凤凰在大陆最早出名的主持人了,这也许源于1998年朱熔基总理的一句话,不过吴小莉的节目看的不过,就不评论了。还有,阮次山等一些的时事评论员,涉及很多政治观点,一言难尽。总体来说,凤凰的主持人都有各自的风格,而且有些很具有个性。从这一点上,CCTV也就新闻评论部几个主持人还可以勉强媲美吧。

发现做电视传媒其实是一件有趣而又有意义的事情,能接触很多人,很多思想,还可以把自己的想法展现给大众,能够不断的充实改进自己,也可以帮助很多人,影响很多人。这样我也似乎弄懂了为什么几年前子墨放弃华尔街投奔凤凰的原因了,只是我恐怕是没有机会了,呵呵:)







12/08/2007

Dream School

每个人心里都有一所Dream School,萦绕在心头,挥之不去

申Dream School,即使再贵,我也不逃费;即使再难,我也要申;即使被拒,我也高兴 

不管怎样,我都等着Dream School的消息,很神圣的感觉,仿佛天使的召唤~~

今天寄了Dream School的材料,恩,纪念一下

也希望所有和我一起考G,一起考T,一起申请,一起熬夜,一起合寄,一起奋斗的兄弟姐妹们拿到满意的Offer~

9/16/2007

[z]Hedy Lamarr

Hedy Lamarr,真正的美貌与智慧的完美结合!

还是那句话:如果你比Hedy  Lamarr漂亮,那么你比她聪明吗?这就是极品女人


Hedy Lamarr和她的设计图纸:





From Wikipedia:



Hedy Lamarr (November 9, 1913January 19, 2000) was an Austrian-born American actress and communications technology innovator. Though known primarily for her great beauty and her successful film career, she also co-invented the first form of spread spectrum, a key to modern wireless communication.


Early life and education


Lamarr was born as Hedwig Eva Maria Kiesler in Vienna, Austria. While married to her first husband, Friedrich Mandl, aka Fritz Mandl Budde, an arms manufacturer, she became educated technically in her husband's business. Mandl was 13 years older than Lamarr.

Movie career


After her flight from Mandl, she met Louis B. Mayer in London. After he hired her, at his insistence she changed her name to Hedy Lamarr, choosing the surname in homage to a famously beautiful film star of the silent era, Barbara LaMarr, who had died of a drug overdose in 1926.
Lamarr had already appeared in several European films, including Ecstasy (1933), A Czech film, in which she played a love-hungry young wife of an indifferent old husband. Closeups of her face in passion, and long shots of her running nude through the woods, gave the film notoriety, as the first actress to appear nude in a regular film. She also gained notoriety as one of the first actresses to bare her breasts in a major film and for faking an orgasm on film. Mandl bought up as many copies of the film as he could possibly find, as he objected to her nudity, as well as "the expression on her face."
In Hollywood, she was usually cast as glamorous and seductive. Her many films include Algiers (1938), White Cargo (1942), and Tortilla Flat (1942), based on the novel by John Steinbeck. In 1941 she was cast alongside two other Hollywood beauties, Lana Turner and Judy Garland in the musical extravaganza Ziegfeld Girl.
Her biggest success came as Delilah in Cecil B. DeMille's Samson and Delilah (1949) with Victor Mature as the Biblical strongman. Samson and Delilah was the highest-grossing film of 1949.
Lamarr became a naturalized citizen of the United States on April 10, 1953.
For her contribution to the motion picture industry, Hedy Lamarr has a star on the Hollywood Walk of Fame at 6247 Hollywood Blvd.[2]

Frequency-hopped spread spectrum invention


Hedy Lamarr (under her then-married name of Hedy Kiesler Markey) and composer George Antheil received U.S. Patent 2,292,387  for their Secret Communication System on August 11, 1942. This early version of frequency hopping used a piano roll to change between 88 frequencies and was intended to make radio-guided torpedoes harder for enemies to detect or jam. This idea was controversial and ahead of its time and technology. The technology was not implemented until 1962, when it was used by U.S. military ships during a blockade of Cuba,[3] after the patent had expired. Neither Lamarr nor Antheil made any money from the patent. Perhaps due to this lag in development, the patent was little-known until 1997, when the Electronic Frontier Foundation gave Lamarr an award for this contribution.[1]
Lamarr's frequency-hopping idea served as the basis for modern spread-spectrum communication technology used in devices ranging from cordless telephones to WiFi Internet connections. The technology in particular that is often attributed to her and George Antheil is CDMA.[4]
Lamarr wanted to join the National Inventors Council but she was told that she could better help the war effort by using her celebrity status to sell War Bonds. She once raised $7,000,000 at just one event.

Death


Lamarr died in Altamonte Springs, Florida (near Orlando) on January 19, 2000.

Legacy


In 2003, the Boeing corporation ran a series of recruitment ads featuring Hedy Lamarr as a woman of science. No reference to her film career was made in the ads.
In 2005, the first Inventor's Day in German-speaking countries was held in her honor on November 9, on what would have been her 92nd birthday. 















9/11/2007

9.74

9.74s, the speed of averaging nearly 10.27 metres per second, was created by Asafa Powell on September 9th in Italy. A new world 100-metres record was born and shocked the whole world.


We may ask "Is there a speed limit of human which is unable to be exceeded forever?" No body can give a definite answer for this question, but one thing is for certain: the creation of the new miracle will be increasingly difficult, since the faster the speed is, the more power people should provide.


However, the fact may be opposite. From 1921 to 2007, the world 100-metres record was lowerd by 15 times, but we can find a surprise fact that the duration of a new record is shorter and shorter. For instance, it costed nearly 26 years, from 1968 to 1994, to lower the record 0.1s from the 9.95s to 9.85s; but the next 0.1s from 9.84s to 9.74s just spent 11 years, which is from 1996 to 2007 . Does people accelerate to create new miracle? Admittedly, the factor of scientific advance should be involved, but the endeavor that human bravely face to challenge and yearn to breakthrough should not be ignored. Without the spirit, people will lose the original impetus and enthusiasm of pursuing faster speed and stronger strength.


Even we may still find little practical significance of the breaking the world record now, neither in economic development nor social moral, it is the ideal of surmounting oneself that inspires people to make greater contribution in various fields. Actually, the scientific development and other creativity and innovation are quite similar to the runners' endeavor. In this sense, the faith of pursuing change and advance, or the so-called "passion", is essential to the human society, and also to the individual's life.


Look! The world record of 100-metres has been broken, and are you breaking your own record? 

8/15/2007

牯牛秋浦行·审美疲劳


前几天去了趟牯牛降,一个位于皖南的山清水秀的地方。


由于是跟着一个叔叔的车子去,计划在中午之前赶到景区,一大早就爬了起来。 车子在高速公路上飞驰,一车人也在车上兴奋的谈论着。车过池州进入了石台县,这是一条普通的省道,路的两边是飞快闪过的树木,隔着一排树就是一望无际的田野,偶尔点缀着几栋白墙黑瓦的皖南民居。车上一个刚考上大学的小妹妹兴奋不已的喊道:“好美啊!”


美吗?只不过是普通乡间的景色而已啊,不过对于一个刚经受过高考折磨的学生来说,这样的风景也许已经足以让她满足了吧


车子拐过几个弯就进了山,眼前的景色也开始吸引了我的眼球。青山叠翠绿水盈盈,公路顺着清澈无比的秋浦河向前延伸,河的一边是碎石滩,另一边是雄伟的青山下茂盛的生长的水边的植物。好一个世外桃源,难怪诗仙李白会一吟十七首秋浦歌!大家谈论的话题也立刻从买房买车长工资转移到山上树木水中游鱼。 若不是时间赶得紧,我真想下车先和这山这水亲密接触一番,那个小妹妹更是吵着要下河玩耍。来这之前压在身上种种工作学习的烦恼早已消逝,我甚至不愿意用心头的烦事来破坏这仙境一般的景致。


一路前行,是画一般的享受。午饭之后,我们的车子误打误撞开到了百丈崖,又是一个让人惊喜的好去处。山谷里,小溪边,攀岩,滑索,溯溪,过木桥,撑竹筏,荡秋千,平日里在城市中忙碌的人们在深山野林里释放着天性。晚上,开着夜车绕着盘山路,除了两柱车灯周围没有一丝亮光,折腾了好久才来到牯牛降。农家小院,野味与山珍,几杯啤酒浇去了白天的疲惫,旁边是石桥,桥下是水声潺潺却黑不见水,几只黑狗懒懒的趴在地上,据说有一只还是游客丢下来的。我仰望黑漆漆的天空没有看见多少星星,不一会而却下起雨来,山风夹着山雨带来的清爽,坐在大门前的门廊下,听着主人得意的讲着牯牛降的人来人往……好不惬意!


第二天清早出发,行走山间,是土路与栈道,龙门潭上一个山娃子从十米的悬崖跃入水中,二道桥边一个山民手持竹篮几十秒就上了七八米高的几近垂直的山崖。最美的还是水,无论是龙门潭还是四叠瀑,我赤着脚竭力让自己感受这种清凉。出了牯牛降,我们去了这次旅行的最后一站,秋浦河上游的漂流。河水很缓,只在几处有些急流,可是景色美的已经无以形容。我站在皮筏上,要过船工的竹篙也撑起船来,陶醉的我,想到只有志摩的诗:


那河畔的金柳,是夕阳中的新娘;
波光里的艳影,在我的心头荡漾。

软泥上的青荇,油油的在水底招摇;
在康河的柔波里,我甘心做一条水草!

那榆荫下的一潭,不是清泉,
是天上虹揉碎在浮藻间,沉淀着彩虹似的梦。

寻梦?撑一支长篙,向青草更青处漫溯,
满载一船星辉,在星辉斑斓里放歌。

但我不能放歌,悄悄是别离的笙箫;
夏虫也为我沉默,沉默是今晚的康桥。


一泼凉水惊醒了我,——后面赶上来的船向我们发起了进攻!开始还是用木浆打水攻击他们,后来干脆跳下船手脚并用。衣服很快湿透,身上也全是水珠。不过瘾!我还有一件事没做!脱去束缚,我跃入了自由的水中。船在前面缓行,我在后面畅泳。水草掠过我手和脚,水波阵阵抚过我的嘴巴和鼻子,我发现,秋浦的水是诗做的……船靠岸了,我踩着河底的鹅卵石走上来,拿起刚才脱掉的衣服,发现上面赫然印着一个“泳”字。


开始了回程的路。车依然行过青山绿水,却没有了刚来时的激动,虽然还是看着外面,脑子却没有什么内容了。突然回想起来,其实最激动的竟是刚到山中的那一刻。龙潭,四叠瀑,秋浦源的景色比刚入山中的景色要美的多,虽然也令人沉醉,但却少了些激情。甚至在刚刚看到漂流的时候,我们都不约而同的感慨,这样的漂流肯定没劲。再看看那位小妹妹,两边的风景依旧,却也只是不经意的看几眼。


为什么?是我们缺少激情了吗?显然不是,连和我同去的一个阿姨都跳下水孩子一般的玩耍。那是什么呢?哦,一路的美景已经让我们的眼睛产生了惰性,对美丽的渴望一旦被满足就会提出更高的要求。可是欲望是无限的,美丽却是有限的,于是便有了审美疲劳。对待美丽也变得熟视无睹,仿佛那些都是平庸,期待的只是更惊艳的东西。想起在天堂九寨,想起在七彩云南,都是同样的感受,经历着重复着。突然回恐惧这种感觉,我担心无视之后衍生出的是厌倦,就好像山中的居民一样,他们渴望城市真如同我们渴望山林。


当我们的车要驶出大山驶离绿水时,我却又开始留恋,痴痴的望着远去的河流,企图多看一眼泛着柔光的夕阳下的碧波。原来失去了,才又重新发现了它的美。


风景如此,那么人生呢?














7/26/2007

钱包丢了

星期天把钱包丢了,内含人民币几十元,信用卡一张,借记卡两张,身份证一张,驾驶证一张,校园一卡通一张,价值100多元的电影卡一张,价值三元的购物卡一张,求菩萨保佑的护身符两张,KTV打折卡一张,照片一张,写有通信地址的纸一张,香港Disney Woody徽章一枚,可能还有些别的小东西。


经济损失还好,精神损失极为巨大。直到今天,各种各样的证件和卡都还没有办好,为了补齐证件还不知道要四处奔波到何时。不知道是不是小偷干的,反正我下次再看到小偷非把他们皮给揭了不可!太可恶了!

6/25/2007

眼保健操

愣什么愣?没听见音乐啊!老师来了,赶快做眼保健操!


“为革命,保护视力,预防近视,眼保健操开始~~~~闭眼~~~~”